1. TextFields - TF002

    TextFields is an investigation into the metaphysical worlds between text and space.

    We are interested in the possible forces that text can generate within a spatial and formal context.

    Exploring the sensual energy of unfocused and charged textual forms, we want to understand where do fonts and space lose their limits, where do they become forces and vectors in a field, and where this field is perceived as a field for the unfamiliar; a field without a perceived centre, a field where the inherent qualities of both are dismantled, where the reader, the voyeur and the visitor are intertwined, and where in this lies the emergence of a field of text.

    via TextFields.


  2. Is Vertical Farming in Our Future?

    Good Food with Evan Kleiman: Is Vertical Farming in Our Future?

    2008_10_08-VerticalFarming.jpgImagine a situation where 100% of the fresh fruits and vegetables for an entire urban population are grown inside climate-controlled towers right in the city itself. Dr. Dickson Despommier was on this past week’s episode of Good Food to tell us this science fiction may be a reality sooner than we think!

    Despommier and his graduate students at Columbia University have been working on the Vertical Farm Project for the past ten years, and their labors are starting to come to fruition. They have designed several models for vertical farms that would be housed within glass buildings - essentially very large and high-tech green houses.

    The advantages to such a system are numerous. These buildings would provide a year-round growing season and the issue of transporting fresh food to urban centers over long distances would become moot. Vertical farms would also suffer fewer affects from weather, insects, and disease. On the other end of things, all the acres of land currently being used for farming could return to their natural states as forests and prairies.

    This model is ideal for places that don’t physically have a lot of land, like islands and large cities, or places lacking in arable land. Holland and China are two countries currently looking into vertical farming systems. Despommier also mentions that small-scale vertical farms could be established within existing buildings and could provide food for places like hospitals, restaurants, and schools.

    And get this: Despommier says that the first actual, physical vertical farming systems are only two years or so away!

    Could this be the future of farming? What do you think?

    • Listen to Evan Kleiman’s full interview with Dr. Dickson Despommier on the Good Food website.
    • Also, check out Dr. Despommier’s website for the Vertical Farm Project for more designs, essays, and related information.

    Related: Conscientious Cook: Sustainable Seafood through Urban Aquaculture

    (Image: Eric Ellingsen and Dickson Despommier)

    (via The Kitchn.)


  3. Large Hadron Collider


    Large Hadron Collider nearly ready - The Big Picture - Boston.com


  4. Active Social Plastic (Architecture_102)

    Architecture_102: “Entry: Active Social Plastic
    Focus: Conceptual Device



    Active Social Plastic takes on cultural ephemera, turning its lens to architecture, urbanism, design, interaction, landscape, music and literature, among other leanings.
    LINK
    http://www.conceptualdevice.com/

    (Via PLX.box.)


  5. marc fornes at DRL10

    marc fornes at DRL10: “

    london’s architectural association is currently showing ‘DRL10′ an exhibition celebrating the tenth anniversary
    of AA’s design research lab (DRL). the show will run until march 18th, featuring work from current students and
    alumni.

    included in the show are the automated architecture projects by marc fornes. the works are created by applying
    code and algorithms to a simple polyhedron frame structures. the process results in unpredictable new forms.

    images © marc fornes / theverymany


    via kulture flash

    (Via http://www.designboom.com/weblog/rss.php.)


  6. Talk in Paris about the invisibility of the digital city

    Talk in Paris about the invisibility of the digital city: “

    Yesterday, I was in Paris to attend a Villes2.0 event (a sort of urban computing symposium) organized by the french think tank FING. The theme of the afternoon was ‘Cities and mobility: new urban perspectives. It was a quite packed conference with lots of interesting speakers coming from different fields such as transportation operations (RATP), sociology, entrepreneurship, design or big french technological companies.

    My presentation was about the invisibility of the digital city. If you’ve read Dan Hill post last week about the ‘street as a platform’, it basically starts from the same point: cities of today are filled with digital services that Hill’s blogpost describes very nicely. But most of the time these services are invisible.

    My point was to show that there was a paradox here: since urban computing (as derived form ubiquitous computing) is partly meant to make explicit/visible some phenomena that are invisible, it’s quite surprising that it itself invisible! I took some examples such as Tunable Cities (revealing electromagnetic fields) by Anthony Dunne and Fiona Rabby, the D-tower (to reveal emotion in cities), Beatriz Da Costa’s pigeon blog systems that reports about city pollutions and of course the huge list of location-based services (Intel’s Jabberwocky to reveal familiar strangers).

    To some extent, the ‘disappearing computing’ paradigm that Mark Weiser described has been some taken to the letter that digitality services are invisible. There is a very intriguing and recursive tension here that can be summarized by this dilemma: ‘how to make visible invisible techniques that aim at making visible the invisible‘. It sounds like a tongue twister but that’s the reality faced by some urban companies I discussed with after my talk. The other layer of complexity is also ‘urban computing’ has a huge component that is often left out: it is sometimes ‘unexpected (’imprevisible’ in french) given that some parts can fluctuate (network signals, GPS accuracy…).

    The other part of the talk was a sort of examination of the solutions to make the digital city more ‘visible’. I took the example of the availability of Wifi and other services.

    I started with signs: like the ‘((o))’ that shows wifi presence in Switzerland or the lovely ‘Internet’ signs that you spot all over the place (especially in exotic countries where they’re often put with flowers). I also showed Timo Arnall’s graphic language for Touch to describe the visual link between information and physical things.

    Internet

    In addition, the use of location-bases services themselves (as a sort of information-’push’ system) that would deliver information to people based on their location. I spent here a little bit of time to explain why lots of them fails to do so.

  7. Then I’ve showed some examples of cluster of services like phone/wifi booth and insisted that the future was closer to a JCDecaux mobile furniture I’ve seen in Mexico: a sort of billboard with a chair (used by people who wax shoes). In a sense clustering various services - digital and not digital - is a solution currently to make services more visible. For example, in Switzerland in railway station, you often have photographing booth+picture printing+phone booths+wifi+vending machinges next to each others.


    (Left picture by Fabien Girardin)

    Instant printing of photography

    There are also new devices such as Wifi detectors, even on shirts that can explicit the presence of open networks. Those of course are gadgets and possibly meant to be integrated in other devices. I am wondering why phones does not (yet) have a WiFi indicator; my Nokia E65 phone can get Wifi but I need to do complex tricks to know if there’s a network that is available.

    And finally I advocated for more complex modes of interactions and that is not only a matter of ‘seeing’ the digital city but rather to perceive it. Here I discussed podotactiles as an example of a different way to ‘feel’ the city. As you may know podotactiles are textured strip which runs along the edge of the metro/tram station platform or even sidewalk, which one can feel with the feet. What I find interesting there is that (1) it’s both about vision and proprioception, (2) it’s not yet-another-device that gives you location-based information but a rather contextual marker in the environment. The street pavement as an interface if you will.

    podotactile of some sort

    My last point was about the users of such systems who often realize the presence/availability when there are physical/digital frictions: breakdowns, adaptive behavior from other users (you see a person employing a laptop while sat on church’s stairs), or when you see specialist fixing a problem (network problem, broken cables), etc.

    Thanks Thierry Marcou and Fabien Eychenne for the invitation! I’ll post my notes about the other speakers soon.

    (Via pasta and vinegar.)

February 24, 2008
Category: electronic culture
Tags: , , ,
Comments (0)


  • Jean Prouvé’s Maison Tropicale in London

    Jean Prouvé’s Maison Tropicale in London: “

    Fashion photographer Ben Rayner has been documenting the assembly of Maison Tropicale - a prefabricated housing system developed by Jean Prouvé in the 1950s - in front of Tate Modern in London. (more…)

    (Via dezeen.)


  • Plans for Foster’s Masdar Carbon Neutral City Debut

    Plans for Foster’s Masdar Carbon Neutral City Debut: “

    Foster+Partners, Norman Foster, Sustainable Architecture, Sustainable Urbanism, Green Building, green Design, Abu Dhabi Future Energy Company, Masdar, Zero Carbon, Zero Waste, Walled City

    Norman Foster’s Masdar City is poised to become world’s most sustainable, zero-waste, car-free, carbon neutral city. The model for the city was formally unveiled on 21st January at the World Future Energy Summit in Abu Dhabi. We’ve talked about the grand scheme before, but the official debut deserves some new attention, given its viewing and support from everyone from General Sheikh Mohammed bin Zayed Al Nahyan, Crown Prince of Abu Dhabi to the Abu Dhabi Future Energy Company and even President George W. Bush. The construction would start the next month, and the city is likely to open in late 2009.

    (more…)

    Originally posted by Mahesh Basantani from INHABITAT, ReBlogged by Leah Gauthier on Feb 6, 2008 at 09:22 AM

    (Via Eyebeam reBlog.)


  • In the beginning, there was the word

    In the beginning, there was the word: ”

    Firell

    We’ve just been taking a look at artist & cultural activitst Martin Firrell’s website, and it’s rather lovely.

    He works principally with projected text, and has created site specific pieces for the National Gallery, the Tate Britain and the Royal Opera House. He also created the Complete Hero project, which has been screened at Curzon cinemas.

    His next project The Question Mark Inside will be a series of projections onto St Paul’s Cathedral in November 2008, to celebrate the 300th anniversary of the topping out of Christopher Wren’s masterpiece. The projections will go onto the Cathedral Dome, the Ludgate Hill elevation and inside on the wall of the Whispering Gallery.

    If you fancy getting involved, you can participate by adding your own thoughts on the meaning of life, and the meaning of St Paul’s, at the project blog.

    (Via We Made This.)


  • A night which looks like a bright day

    A night which looks like a bright day: “

    While in Paris i checked out Airs de Paris, an exhibition that runs until August 15 at the Centre Pompidou. The show is really good. Looks a bit like one you could see at the Palais de Tokyo. Except that you are not allowed to take pictures, people don’t seem to have as much fun, the gadget shop is bigger and less tempting. But that’s just trifle and i’ll come back to the exhibition soon.

    I headed there after having read on variable environment that Philippe Rahm had installed a room called Diurnisme.

    00aphilra.jpg

    The introduction of the street lighting in the beginning of the 19th century has wipped out the day/night rythm from the city. With street lighting emerged new behaviors, such as noctambulism, sauntering the evening on the boulevards, dancing in the balls.

    Rahm put the idea upside down by trying to introduce the night during the day. It’s a perverted answer to the perpetual day created by the modernity, Internet and the contemporary globalization. The room is bathed in a very bright orange/yellow light which wavelengths, upper than 600 nanometers, are perceived by the body as the night. The paradox is caused by the fact that our perception of day and night is guided by a hormone called melatonin. The peculiar light of the room triggers the production of melatonin, fooling the body into thinking that it is nighttime.

    Verdict: it does work. I felt a bit sleepy in there and some people were having a nap on the benches. The music might help too, as speakers were broadcasting 18 Diurnes, some inversions of a composition written by John Field, known for being the first composer to write nocturnes.

    Arte has some interviews in french of Philippe Rahm.

    Photo: © photo Adam Rzepka, Centre Pompidou.

    Related entries: Responsive Environments: Architecture, Art and Design; Christophe Guignard’s talk at LIFT07.

    (Via we make money not art.)


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