1. Collective Sunshine

    http://www.weatherprojection.co.uk
    “As soon as the sun disappears, we think that the day is over,” Haw said. “But the day is just starting in other places in the world. It’s continuously rising as we get further into twilight.”

    Picture 2.png

    Atmos have been selected as one of the international artists for Smart Light Sydney, opening 26th may; 300,000 visitors are expected. http://www.weatherprojection.co.uk.

    Picture 1.png

    * ALSO Alex is calling for participation with footage of the sun rising across the world at the moment it sets in Sydney.
    They would love you to contribute a sequence of time-lapse photography showing the transition of daylight over the early hours of sunrise. We’re looking for beautiful examples of sequential interval photography - large numbers of well-composed still frames adequate to assemble into movies. They can send a detailed specification if you’re interested to get involved and join the community of solar chronographers.
    http://www.weatherprojection.co.uk
    http://www.facebook.com/group.php?gid=88687060881&ref=mf

    The installation is one of the major international projects for Smart Light Sydney. Smart Light Sydney is a celebration of innovation through light art, music and ideas events, happening across Sydney 26 May – 14 June. Smart Light Sydney is part of Vivid Sydney - the biggest international music and light festival in the Southern Hemisphere.
    The project had a generous preview as the main representative of the festival in a large spread on page 3 of the Sydney Morning Herald, one of the major national newspapers. The initial media launch was extensively covered in the media. New Tang Dynasty TV broadcast their coverage to the entire world via 4 satellites, as well as to Sydney through free to air channel 31(TVS). The organisers anticipate 300,000 visitors – not counting any online presence.

    The installation occupies the bandstand pavilion (100 years old this year) high up on Sydney’s Observatory Hill, adjacent to the Sydney Observatory. It has great views of the magnificent harbour and the Sydney Opera House below, of the stream of adjacent traffic flowing North over the Harbour Bridge - and of the sun, rising continually in the East, but originating, as image, in the West.
    The project echoes the central historical role in both astronomy and meteorology once played by the adjacent observatory. It was made world-famous in the 1880s for its astronomical photographs, involved Sydney in one of the greatest international astronomy projects ever undertaken. It is now a working museum where evening visitors can observe the stars and planets through a modern 40 cm Schmidt-Cassegrain telescope and a historic 29cm refractor telescope built in 1874, the oldest telescope in Australia in regular use.

    4 linked wide-angle projectors cast an ever-shifting series of melodious time-lapse movies showing the precise atmospheric phenomenon of the sun’s majestic rise, varying with every location and day. The central computer draws down distributed feeds from an ftp server and continuously fetches live satellite imagery. The individual instances of time-lapse photography are supplemented by high-res live cloud data of the Western Hemisphere drawn down at quarterly intervals from NASA satellites – a cloudy blanket momentarily interrupting and obscuring the sunlight. Real-time graphics offer an overlaid 5-handed polar clock displaying 6,12 and 24 hr hands sweeping across the entire image, fading momentarily into view as each new location is scanned and activated.

    Each new solar projection is triggered at precisely the moment that the sun is rising – changing each day - in the location of its source footage. A timeline, generated each day anew from fluctuating solar data, intersperses time-lapse footage with satellite imagery, explanatory animations with chronological updates. A webcam sends it all back out to the world from which it came.
    As Smart Light Sydney begins, the sun first hits landmass in remote north-eastern Canada and the eastern shores of Brazil, slowly sweeping across the Americas until its sole terrestrial glint is seen at the western tips of Alaska and a few sparse Pacific islands. This sparsity is infilled by a review of the evening – a final rapid uber-time-lapse playing back the whole evening’s activity, crescendoing at midnight.

    The Sydney Morning Herald previewed the project on p.3, 6.5.09 as “Eternal sunshine of an artist’s creative mind”: http://www.smh.com.au/national/eternal-sunshine-of-an-artists-creative-mind-20090506-aveb.html

    alex will be giving one of the keynote speeches:
    http://vividsydney.com/smart-light-symposia/

    http://www.weatherprojection.co.uk
    http://vimeo.com/4725226
    http://www.youtube.com/watch?v=8bShTRErjRw&fmt=18


  2. Figures of Speech (Formation of a Crystal) by Falke Pisano

    Figures of Speech (Formation of a Crystal) by Falke Pisano

    Title: Figures of Speech (Formation of a Crystal) by Falke Pisano
    Location: Hollybush Gardens - London E2 9QP: www.hollybushgardens.co.uk

    Description: Figures of Speech (Formation of a Crystal) by Falke Pisano

    falkepisano_picture-9

    Exhibition 22 April - 7 June

    Private View 21 April 7 - 9 pm. There will be a performance during the
    opening at 7.45 pm.
    Start Time: 19:00
    Date: 2009-04-21

    Falke Pisano is immersed in both the written and spoken word. In her practice ideas and concepts, proposed through language, are juxtaposed with abstract objects. A dialogue of affect and effect is initiated between object and concept - one affecting the other - forming the potential of a third proposition, in a continuous process of production. Pisano’s works can be perceived as bringing together concerns of abstract modernism and conceptual art. Figures of Speech is an umbrella title that refers not only to this exhibition but to a larger body of works that includes Pisano’s recent and forthcoming oeuvre. Like a series of proposals, the scheme for this show is set out in diagrammatic drawings that show four ‘speaking’ positions. It’s core consists of the text-based performance Figures of Speech 1, 2008, which originates from three earlier works; The Complex Object, Object and Disintegration: The Object of Three and O Eu e O Tu / The I and the You. Here Pisano considers different possibilities for agency within an artistic practice, questioning how agency can be structurally transferred from the artist and into the artwork. The performance will take place during the exhibition opening. In material terms the ‘speaking’ positions will become hanging wall based works - part costume, part wall sculpture and part collected sculptural elements. By referring to these sculptures as ‘them’ and ‘what they can do’ Pisano suggests we perceive these sculptures as acting subjects and authors of meaning. The structure of the hanging sculptures/costumes will be flexible so that they can be expanded/taken apart and constructed into one sculpture or be worn and de-constructed. These works are in a constant state of potential, where they may evolve into or be used to form a performance situation, which would also involve the central table piece in the show. Each of the positions emerge from previous works within the Figures of Speech series. Interested in how meaning is produced and to what extent it is ‘contained’ within the artwork, Pisano experiments with placing works in different contexts and relational compositions. Suggesting that mean- ing is not fixed Pisano often returns to older works to re-consider them, testing whether they can pose new questions in different situations. One concept can be used to give form to multiple objects. ‘Old’ forms can re-appear in new contexts - as if time and experience had given these objects self-awareness, they appear to be questioning their own meaning. The hanging sculptures are held in a tension between their past existence and their potential future. The imagination of - or the actual activation - of these sculptures opens up a situation of interaction in which these ‘speaking’ positions meet on equal terms. This method of engaging and activating old forms breaks a sense of linear progress. Rather than critiquing the old in search of the new Pisano suggests a different approach to criticality. Pisano’s works can be seen as constantly becoming - holding the potential of proposing new voices when activated in new relational situations. Falke Pisano (B.1978, The Netherlands) lives and works in Berlin. Forthcoming exhibitions include: Talkshow, ICA, London, May, Making Worlds curated by Daniel Birnbaum for the 53rd Venice Biennale, Modernologies and The Malady of Writing, both at MACBA, Barcelona September and October. Previous Exhibitions include: Organon on The Wave, with Benoît Maire, at Grazer Kunstverein, Graz, 2009, Show me, don’t tell me, Brussels Biennale, Brussels, 2008, Time Crevasse, Yokohama Triennale, Japan, 2008, Principle of Hope / Matter of Fact, Manifesta 7, Italy, 2008.

    (via tlktlk.)


  3. Emma Mc Nally


    3 on Flickr - Photo Sharing!.

    found via Marius (http://twitter.com/generatorx) via DataIsNature (http://dataisnature.com/?p=498)


  4. Christian Gonzenbach

    Christian Gonzenbach.


  5. Jen Stark / Sculpture


    Jen Stark

    * nice and colorful paper cut sculputures


  6. S23K - Lollerskates für alle


    S23K - Lollerskates für alle

     

    In February and March 2009 a state-sponsored spectacle will be arranged in the Swedish capital. The trial against The Pirate Bay - one of the longest in Swedish history - begins at the Kungsholmen courthouse in Stockholm.

    The modified city bus of Piratbyrån, formerly known as S23M (summer 2008) and S23X (fall 2008), is at the same time getting restless in its parking lot in Belgrade. It wants to go on a spring tour, back to Stockholm.

    In connection with this it changes its name to S23K. On spot outside the trial, it will be used to intensify the spectacle, among other things functioning as a press center for The Pirate Bay and Piratbyrån and as a physical gathering place for sympathisers and curious people.


  7. Laser-cut art book by Olafur Eliasson

    Laser-cut art book by Olafur Eliasson

    Laser-cut art book by Olafur Eliasson

    (via Preik - The design aggregator.)


  8. Je Suis Mon Rêve

    Je Suis Mon Rêve

    Really like the concept behind the project ‘thisisamasterpiece’ by Je Suis Mon Rêve (check out that website, loads of good work on there).

    masterpiece

    “A web domain is a unique piece, we pay for it so we make sure that it stays unique. Nobody can actually reproduce it and everybody can look at it. It is exactly as an art piece, and this one especially, this is a masterpiece.”

    (via J:V.)


  9. Christophe Lemaitre — Sans titre


    Christophe Lemaitre — Sans titre

    via R-Echos referers


  10. Jordi Ferreiro


    pan-dan: Jordi Ferreiro


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