1. Damien Poulain at KK Outlet

    Solo Show at KK Outlet First solo show titled 'Le Nouveau Riche' at KK Outlet, London. From the 4th to the 14th of September 2008.

    Solo Show at KK Outlet First solo show titled 'Le Nouveau Riche' at KK Outlet, London. From the 4th to the 14th of September 2008.

    Damien Poulain solo show at KK Outlet
    * KK OUTLET is a multifunctional office combining a communications agency with a shop and gallery space. KK OUTLET is set up by the Amsterdam based communications agency KesselsKramer, an international group of nearly 40 people working for a broad local and worldwide client base as well as its own initiated projects.
    ** Damien Poulain is a french London based graphic designer and art director who specializes in print-based projects including books, small-run publications and record sleeves. Ongoing projects include t-shirts for 2K by Gingham, handcrafted set design for magazines such as Tank, Arena Homme+ (among others), as well as website design.


  2. websites and White Cubes

    websites and White Cubes

    Dumb sign, originally uploaded by blackbeltjones.
    Been asked to work on the nominations for designs of the year again at the Design Museum, which is very nice.But it leads me back to this hoary old question – how should interactive work best be shown in a museum or gallery context? Should it be shown at all?


  3. Post-occupancy evaluations of public wi-fi

    Post-occupancy evaluations of public wi-fi

    I’ll be doing research there next week, looking at usage patterns from various quantitative and qualitative perspectives, some analysis of how the variability of wi-fi maps onto the informal use of space enabled by the Library’s open design, some benchmarking against best practice in terms of denoting the presence of public wi-fi, some technical discussions. That kind of thing.

    I’m keen to explore new ways of discerning spatial usage patterns, including software-based analysis of video If possible. Otherwise, it’ll be students, counting.

    I’m also keen to explore some interesting ways of visualising the use of wi-fi mapped onto use of space. Whilst thoughts on the methodology and sketches of representations are ticking over nicely I thought I’d ask readers if there are any interesting examples of similar research that we should be aware of. In return, I’ll post some observations on methodology and visualisations afterwards (IP-permitting, and with the Library’s approval of course.)

    I know of two studies in particular. Paul Torrens’ work on ‘wi-fi geographies’, which layers signal strength data over Geographical Information Systems (GIS), usually for urban-scale spaces such as this visualisation of wi-fi access points in Salt Lake City:

    Wifi_geographies

    I quite like the visualisation of a wi-fi cloud hanging over the city (see movie here, about half-way through) though I’m not sure how actually meaningful the representation is. Additionally, I’m dealing with a microcosm of this space, rather than an aggregation of numerous wi-fi access points across a city.

    Then there’s Andres Sevtsuk, Sonya Huang, Francesco Calabrese, and Carlo Ratti’s work with the SENSEable City Laboratory at MIT (see “Mapping the MIT Campus in Real-time Using WiFi” (in Foth 2008, full ref. below.) Their work focused on mapping usage of the campus-wide wi-fi network, using a system (iSPOTS) which observed the volume of traffic emanating from the numerous wireless access points. This gave them a way of producing images of the blooms of wi-fi coverage across the campus (incidentally, nice axonometric view reminds me of Stirling, Archigram etc.), as well as graphs mapping the amount of usage at different times of the day.

    Mit_campus_wifi

    Mit_campus_wifi2

    Wifi_usage_over_time

    Both interesting approaches. Any others?

    I’m also interesting in surveying best practice in denoting the presence of wi-fi. This is an interesting area, as – obviously – wi-fi is invisible, so the service is usually denoted by the presence of people with open laptops, and/or small signs, for which a universal language has not quite emerged. Perhaps both of these indicators are fine, but are there better alternatives?

    Slq_infozone

    Slq_wifi

    Qut_gardenspoint_wifi

    I know, c/o Fabien Girardin, of Orange Innovation’s idea of faux-bamboo wi-fi signal strength indicators, which would actually fit in quite well from a local flora point-of-view, while also indicating the variability of wireless signal. Strikes me you could also look to communicate speed (in a non-technical sense), or use a proxy like number of users currently connected, as a way of indicating the likely levels of service before you flip open your laptop.

    Wifi_signal_orange_innovation

    But do you know of other interesting, robust, useful and beautiful ways of communicating the key facets of a wi-fi network (presence, availability, speed etc.)? If so, please add to the comments below, and many thanks.

    References
    Sevtsuk, A., Huang, S., Calabrese, F., & Ratti, C. (2008, in press). Mapping the MIT Campus in Real-time Using WiFi. In M. Foth (Ed.), Handbook of Research on Urban Informatics: The Practice and Promise of the Real-Time City. Hershey, PA: Information Science Reference, IGI Global. ISBN 978-1-60566-152-0. http://eprints.qut.edu.au/archive/00013308/
    State Library of Queensland, Brisbane, Donovan Hill Peddle Thorp, plus some notes on libraries in general


  4. Martijn Hendriks


    Martijn Hendriks


  5. Patients ‘free from cancer’ after immune-boost treatment


    The drug, which could prove cheaper than other therapies that try to achieve the same effect with cells, works by activating the body’s own defences to attack the cancer.

    The results have been described as an “exciting” and “significant” development in the use of immunotherapy, the process of using the body’s own immune system to fight disease.

     

    Via Patients ‘free from cancer’ after immune-boost treatment – Telegraph

    Via ShadeOne


  6. today’s office

    Today’s Office

    today office

    Skies over Japan, 2008

    Wake up to the dawn over the pacific.

    90 minutes before touch down, coffee arrives.
    Head down / write up field notes.

    (Via Jan Chipchase)


  7. Photoshop toolbar evolution

    photoshoptools

    Via La evolucion de photoshop | MJG Adrian


  8. Two perfect views

    Two perfect views


    “Ländliche Innenräume” by Martin Rosswog
    “Jean Prouvé”, Jousse-Navarro, 1998

    (Via Reference Library)


  9. Arielle de Pinto: Stand Up Comedy


    Stand Up Comedy
    Arielle de Pinto : Stand Up Comedy


  10. Modular mass production in China

    Modular mass production in China

    Terracotta1

    Circa 210 BC, in the Terracotta Army 兵馬俑

    “Scholars of this material generally subscribe that the use of a system of ‘module and mass production’ accounts for the diversity. The phrase was coined by the German art historian Lothar Ledderose in 2000, when he used it as the subtitle of his book, which had an image of the Terracotta Army on its cover and contained a compelling thesis about the distinctive nature of creativity in China. Most commentators have picked up on the mass-produced nature of the figures; a display case in the exhibition shows a modern reconstruction in little clay figures of the production line. It is modelled in the style of the Socialist Realist sculpture that was used in Mao’s day to generate such vast agitprop dioramas of life-size figures as Rent Collection Courtyard (portraying the ways of pre-1949 ‘evil landlords’) or Wrath of the Serfs (portraying the ‘evil ways’ of the pre-1949 Tibetan monastic establishment). The point is not just mass production but the mass production of modular forms – three types of plinth, two types of leg set, eight types of torso and so on – which can be combined and recombined and combined again into a simulacrum of diversity. This is not so much mass production in the sense of the Industrial Revolution as in the sense in which it is deployed by Starbucks, where everyone can think they are getting just what they want.”

    “Ledderose’s analysis of module and mass production in Chinese culture extends across a range of phenomena, one of them being the Chinese script, where again a relatively small number of modules can be combined to generate forms running into tens of thousands. The contemporary artist Xu Bing used the same principles to generate thousands of unreadable characters in A Book from the Sky of 1987-91.”

    From ‘At the British Museum’, Craig Clunas, London Review of Books.

    Terracotta2

    Terracotta3
     

    (via cityofsound.)


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