Mission Eternity

Tags:
Categories: art, display, electronic culture, hardware, tangible
Hits for this post:186
Tiny URL: http://r-echos.net/lk/11218
Sunday, August 20th, 2006 at 9:17 pm
Bookmark on del.icio.us | Twitter This Stumble This

Mission Eternity

Mike Kuniavski, the curator of ISEA’s interactive C4f3, picked up his five favourite projects of the festival. One of them is Mission Eternity by etoy, a white 20 foot sarcophagus that hosts a screen made of 17′000 LED lights and the ashes of the first Mission Eternity Pilots (who contribute their personal data and mortal remains). The sarcophagus was created from a shipping container and is used to archive and transport the “massive body of information” left behind after our death.

0anglioo.jpg 0filll.jpg

In Mike’s words: The basic notion is to use the power of networked digital technology and inexpensive storage to keep aspects of us alive after we’re dead. On one conceptual level, it externalizes the network of memories and documents we leave behind, and places them into a digital world, which is projected into the physical one as a shipping container sarcophagus filled. The sarcophagus is simultaneously a display, an environment and metaphor, and as it ages, etoy will replace the LEDs with the ashes of the people whose digital selves they manage.

4etoyy.jpg

Under the protection of thousands of Mission Eternity Angels (the living who provide a few mega bytes of their digital storage capacity) the Mission Eternity Pilots travel space and time forever. The Angels should be willing to share at least 50MB of disk space to host Arcanum capsules - the data of ME Pilots. A social back up solution establishes a p2p network that guarantees transparent long-term storage of data. The system and therefore the pilots only survives if Angels donate space.

The short-term plan (2006-2016) is to install an interactive city of the living and the dead that reconfigures the way information society deals with the conservation and loss of memory, time and death.

Sources for the images: digital brainstorming, etoy blog.

More afterlife projects:
Michele Gauler’s Digital Remains; Auger and Loizeau’s Afterlife; Merel Vantellingen’s Spinning Tops.

Originally posted by Regine from we make money not art, ReBlogged by admeyers on Aug 15, 2006 at 12:09 PM

(Via Eyebeam reBlog.)

[tags]etoy[/tags]

Related Posts




Leave a Reply

R-Echos

Subscribe in a reader




R-Echos context

Collections

* at the occasion of R-Echos issue 1 we organised some pages into topic oriented piles:

  • Displaying
  • un-Realisation
  • Physical Interface
  • Augmented Reality
  • Publishing
  • Geometry
  • Visualisation
  • Open Source Mobile Phone
  • Fab


  • Since 2004, R-Echos is an experimental online magazine dedicated to republication; topics vary from biology to graphic design, from ecology to business. It agglomerates anything which is about art, computing, science. His form is made out of collages of texts, links, images, references, videos and sounds - choosen with care to take part to this very personnal publication.



  • About
  • Articles
  • Beta version
  • Categories
  • Defragmentation
  • Directory
  • Fab
  • Index
  • Links
  • Monthly Archives
  • Open Source Mobile Phone
  • R-Echos issue 1
  • Somewhere else
  • Tags
  • Visual Index
  • Visualisation


  • Search R-Echos



    * curation / edition / selection is made by Electronest

    On Purpose: Design Concepts

    On Purpose: Design Concepts

    On Purpose: Design Concepts looks at conceptual design practices, the emergence of ‘meta design’, and the question of who or what can define something as design…
    With Åbäke, Droog Design, Daniel Eatock, Electronest, Ann-Sofie Back, Will Holder, Peter Jensen, Onkar Kular & Noam Toran, Metahaven, Alex Rich, Savage, Yuri Suzuki
    September 13 - [...]

    websites and White Cubes

    websites and White Cubes

    Dumb sign, originally uploaded by blackbeltjones.
    Been asked to work on the nominations for designs of the year again at the Design Museum, which is very nice.But it leads me back to this hoary old question – how should interactive work best be shown in a museum or gallery context? Should it be [...]

    R-Echos issue 1 - AMP001

    R-Echos issue 1

    An experiment in the economics of production: how can we shift focus from consumption of a finished product to investment in the processes of design, print & production?

    This is a poster and a text: an analog R-Echos
    Would you be interested in investing in the tangible production of this work?
    1. You can download the digital archive
    and [...]

    What if, VACANT LOT, Hoxton, London

    What if, VACANT LOT, Hoxton, London

    Related PostsBuilding and designing Digitalism’s IdealisticPaper Circuitssub-studio design blog: Herzog and de Meuron Parisian PyramidThe best CNC project machines - Hack a Daygreenpix zero-energy massive LED displayDIY Blubber BotBotanicalls Twitter DIYBuild Your Own War Bot - Wired How-To WikiHOW TO - Embroider digital imagesThe Shipyard ReturnsBottoms Up DoorbellThey [...]

    magazines as objects exhibition

    Colophon events this week

    Colophon events this week

    There are a couple of Colophon-related events in Europe this week. First up, Andrew Losowsky – that’s him above next to a copy of IsNotMagazine – has curated an exhibition of magazines as objects in Milan. CR Blog has an in-depth report with details – it sounds great, lots of magazine-y-ness. Andrew’s [...]



    R-Echos has its own tiny url system:

    * tiny url are url you can copy/paste into email without the risk of having a long line that surely will get broken and a link unusable.

    To get updates via email:

    mailinglist delivered via FeedBurner



    free advertising network